Return

"THE CAPRICES OF MARIANNE"
by Alfred de MUSSET.


4th show: from March 5 to April 4, 2020.

"THE CAPRICES OF MARIANNE"
by Alfred de MUSSET.

In a few words…

Alain Leempoel amazed us by adapting the film Festen in a marquee. Here he brings together a brilliant cast to sow in the service of Alfred de Musset's talent. The director situates the action at the beginning of the 20th century on this island which he knows like his pocket: Corsica! Jealousy and vendetta will shake up a small town steeped in its traditions.
It’s brilliant, light and cruel at the same time.

 

With Anne-Marie CAPPELIEZ, Fabian FINKELS, Stephan FRASER, Philippe JEUSETTE, Jacqueline NICOLAS, Xavier PERCY, Tristan SCHOTTE, Stéphanie VAN VYVE, Jean-Michel VOVK
Director Alain LEEMPOEL - Assistantship Catherine COUCHARD
Scenography Catherine COSME - Jackye FAUCONNIER costumes
Makeup Patricia TIMMERMANS
Lights Laurent KAYE - Sound design Loïc MAGOTTEAUX
A co-production of the Théâtre Royal du Parc, La Coop asbl and Shelter Prod.
With the support of Taxshelter.be, ING and the Tax Shelter of the Belgian Federal Government.
From 19th century romanticism to today's sickness

Les caprices de Marianne is the story of a youth shattered by its century, its idleness.
This piece by Alfred de Musset is unclassifiable: Comedy? Drama? Tragedy?

It derives from drama by the social classes represented, from comedy by some of its colorful characters, its lively actions and the language sometimes close to conversation, from tragedy finally by the inexorable advance towards the death of the character of Coelio as well as the themes addressed.
Musset takes the mysterious pulse of this strange fever which seizes an orphan generation of all combat, of all engagement, which seeks in cynicism, sensuality, easy pleasure, or melancholic fanaticism, its salvation is ie an arrangement with life.

Les caprices de Marianne is a great incandescent work of French romanticism. And the heroes of this fable, gone for a comedy, respond to the drama. This piece is, today as always, the cry, the dazzling outburst of a youth against their lifestyle.

The play was written in Paris in 1833, set against an imaginary Naples.
The show will take place in 1930 with a real Ajaccio as a backdrop.
The beginning of the 20th century was for Corsica a period of great social upheavals and the interwar period saw a massive exodus of local mafia wanting to assert their power in the metropolis in Marseilles and Paris mainly.
Those who stayed on the island may have been left behind by this archaic society, and it is with them that we will be interested.

Alain LEEMPOEL.

Reservations at 02 505 30 30 from 12 p.m. to 7 p.m. or www.theatreduparc.be

Calendar

4th show: from March 5 to April 4, 2020.

"THE CAPRICES OF MARIANNE"

by Alfred de MUSSET.

List of representations:

Thursday March 5 performance at 8:15 p.m.
Friday March 6 performance at 8:15 p.m.
Saturday March 7 performance at 8:15 p.m.
Sunday March 8 performance at 3 p.m. - /

Monday March 9 /
Tuesday March 10 performance at 8:15 p.m.
Wednesday March 11 performance at 8:15 p.m.
Thursday March 12 performance at 8:15 p.m.
Friday March 13 performance at 8:15 p.m.
Saturday March 14 performance at 8:15 p.m.
Sunday March 15 performance at 3 p.m. - /

Monday March 16 /
Tuesday March 17 performance at 8:15 p.m.
Wednesday March 18 performance at 8:15 p.m.
Thursday March 19 performance at 8:15 p.m.
Friday March 20 performance at 8:15 p.m.
Saturday March 21 performance at 8:15 p.m.
Sunday March 22 performance at 3 p.m. - /

Monday March 23 /
Tuesday March 24 performance at 8:15 p.m.
Wednesday March 25 performance at 8:15 p.m.
Thursday March 26 performance at 8:15 p.m.
Friday March 27 performance at 8:15 p.m.
Saturday March 28 performance at 8:15 p.m.
Sunday March 29 performance at 3 p.m. - /

Monday March 30 /
Tuesday March 31 performance at 8:15 p.m.
Wednesday April 1 st performance at 8:15 p.m.
Thursday April 2 performance at 8:15 p.m.
Friday April 3 performance at 8:15 p.m.
Saturday April 4 performance at 3 p.m. - /

 

* * * * *

 

 

 

 

 

 

blablabla